Aryan Mehta Stuns Theatre Circles With Rangrezz Debut

Aryan Mehta delivers a striking debut in Rangrezz, an Indian reimagining of Shakespeare’s Othello, earning acclaim across theatre circles.

Jan 26, 2026 - 17:27
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Aryan Mehta Stuns Theatre Circles With Rangrezz Debut

Aryan Mehta Makes a Powerful Debut in “Rangrezz”, The Indian Reimagining of Shakespeare’s Othello That Captivated Theatre Circles - PNN

Mumbai (Maharashtra) [India], January 26: Indian theatre witnessed a compelling new arrival as Aryan Mehta made his much-anticipated debut in Rangrezz, an ambitious Indian reimagining of William Shakespeare’s iconic tragedy Othello. The production has quickly become the subject of widespread discussion within theatre circles, positioning Aryan as one of the most promising new performers of the year.

The grand evening drew an eclectic mix of artists, industry veterans, and cultural figures, underscoring the significance of the production. Among those present were Deepika Singh, Jayati Bhatia, Ankur Panchal, Kishori Shahane, Bobby Vij, Smita Bansal, Yesha Rughani, Pracheen Chauhan, Dishank Arora, Keerti Kelkar, Ishaan Dhawan, Priyanshi Yadav, Rajesh Balwani, Vivaan Bedi, Eshaan Sood, Shailesh Lodha, Manini De, Nivedita Basu, Rajev Paul, Sreejita De, Amar Upadhyay, Anushree Mehta, Abeer Sen Gupta, Haadi Ali Abrar, Rajan Shahi, Ishika Shahi, Dr Sameera Gupta, Harry Anand, and several others from the entertainment and theatre fraternity.

Aryan Mehta—grandson of legendary filmmaker Pranlal Mehta and son of producer Jay Mehta—stepped into the demanding lead role of Atharv, the Indian counterpart to Shakespeare’s Othello. Atharv is portrayed as a self-made, charismatic young man whose world, grounded in love and loyalty, slowly unravels under the pressure of carefully planted doubts. The role demands emotional restraint as much as intensity, requiring the actor to communicate inner collapse without theatrical excess.

Aryan’s performance was marked by subtlety and emotional precision. His portrayal of Atharv’s quiet descent—internal, conflicted, and ultimately devastating—demonstrated a maturity rarely seen in a debutant. Theatre critics and audiences alike noted his ability to hold silence, allowing tension and vulnerability to speak louder than dialogue.

Before making his on-stage debut, Aryan had spent considerable time learning the craft behind the camera. He contributed to projects such as Dharma ProductionsNaadaniyan and Animal, directed by Sandeep Reddy Vanga. This behind-the-scenes exposure helped him develop a strong artistic foundation—one that Rangrezz allowed him to translate into a refined and controlled stage performance.

Reflecting on his debut, Aryan described the experience as transformative. He shared that stepping into Rangrezz felt like entering a crucible that demanded vulnerability, courage, and complete honesty. For him, the debut was not merely about visibility, but about proving readiness to tell stories capable of moving audiences. He described Rangrezz as the first chapter of his artistic journey—one into which he invested everything he had.

The production was helmed, designed, and staged by acclaimed theatre showman Atul Satya Koushik, who had been searching for an authentic young performer in his early twenties to reinterpret Othello for an Indian context. The play also featured veteran actor Dalip Tahil and the poised Meenakshi Dixit, whose performances added depth and gravitas to the production. Atmospheric music by Anik Sharma further enhanced the immersive theatrical experience.

With Rangrezz, Aryan Mehta has announced himself as a serious theatrical talent—earning admiration for his sincerity, stage presence, and emotional depth. His debut signals the arrival of a new voice in Indian theatre, one grounded in craft, discipline, and a clear commitment to storytelling.

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